A selection of articles …

The Bitter Southerner

• The classical jewels of the Black Mecca
• Marion Brown’s musical portrait of Georgia

Atlanta Journal-Constitution

• Angelique Kidjo’s ‘African Symphony’

• ASO’s Beethoven Project celebrates composer with ambitious symphony series

• Jazz artists, fans find new venue in a sacred Midtown space

• In Spivey Hall debut, pianist Michelle Cann looks to educate, entertain

• Atlanta Opera brings ‘Rent,’ updated ‘La Boheme’ to Pullman Yards

• Stutzmann to release major label recording with the Atlanta Symphony Orchestra

• ‘Forsyth County is Flooding’ debuts at 96-Hour Opera Festival

• Robert Spano returns to conduct new works for ASO

• Exclusive: Atlanta Symphony’s 80th season focuses on the ‘new Atlanta sound’

• Former ASO bassoonist teams up with teacher for ‘Five Sacred Trees’

• Atlanta Opera enlivens ‘Frankenstein’ film with dramatic new score

• Classical music returns to Decatur’s Eddie’s Attic

• Atlanta Symphony musicians rattled by Midtown shooting

• The Atlanta Improvisers Orchestra gears up for a busy spring

Atlanta magazine

• Profile of the ASO’s new music director
• Atlanta’s jazz scene is alive and well
• Profile of Michael Kurth
• The jazz age

Downbeat magazine

• Amelia’s Island Jazz Vibe

• Joe Alterman: Pianistic Salvation

• Element of Rawness Permeates Big Ears’ Meticulously Crafted Sets

• Big Ears Festival’s 10th Birthday Requires Tough Choices